Sunday 26 October 2014

A Night Walk

There are enough monsters already.  Almost as soon as I make the snap decision to walk, at 1am on the border of Saturday and Sunday, from Angel to Soho, my very own Dickensian 'night walk', I am reminded of this.  I zigzag the pavements and roadsides, eager not to cross paths with the snarling, staggering beasts that approach me from the south, pouring out of pubs and chicken cottages, their intent and malevolence made oblique by silhouetting lamplight.  I make it seem as though the opposite side of the road is my intended destination as I am careful not to let on that I simply wish to be distant from them.
I am sober at this time, as I am not supposed to be.  I have lifted the veil of my society's guilty, nocturnal habit, by abstaining from the state-altering substance and retaining my wits and senses.  And it is all melodrama to sober senses.  I see wobbly men, pirrouetting upon the curb, attempting to walk straight but all the more wayward in their intent.  I hear them growl and snarl, the utter embodiments of their disappointing nights - the regression to beast a by-product of their would-be romantic conquests' eventual refusal to accomodate their sexual hungers.  Would I be of their ilk?  For my night has crescendoed similarly yet I am unsullied by beer so I keep a level mind.  My addled beast remains caged and I choose a walk home to cool and sooth him.  And these creatures, they stagger home and screech at the night sky.  Kebabs will have to suffice but the monster will bellow and howl and swipe at the air until the ready-trays of steaming grease are within reach.  They meander and topple and I desperately await the passing of the night-time traffic so I can stray from the possible onslaught they have in store for me.  I do not exist yet, they only wish to be the street, as their ever-stretching armspans make clear, and once my presence is known to them it will illicit a fright and an anger and an urge to right the sensory intrusion I may bring.  So I leap across the road for a stay of execution.  A woman squats by a bollard, hair masking her moist face as she whimpers into her palms.  Her swaying boyfriend stands at a choice distance, savagely demanding she pull herself together and follow him home so she can fulfill his bestial needs.  And so this goes.  I see bastard boys, a thousand potential Jack-The-Rippers, torturing their woman-property at every turn and I modestly walk home alone awaiting my empty bed, quietly boasting the conviction that I am good and true and would be loyal and loving would I ever get the opportunity to be.  I do battle with indignation as I feel ashamed whenever a twang of entitlement passes through me.
Eloquent writers?  Charming clerks?  Modest musicians?  Who are these people in the daylight where they are such drooling vampires under the moon?  It is an idle hypothesis to muse upon for I shall never know - bed is the coveted horizon and that is my joureny's end. 
The sporadic, dimly-lit high-roads of Islington have passed and I detour onto John Street, Bloomsbury, and traverse the tranquil, Victorian residential passage to pass the Doughty Street home of my hero Charles Dickens, an abode I am soon to start working in as a steward, to satiate my passion and devotion to the dead master.  I am feeling content and reflective as proximity to the man always makes me feel and, ever the time traveller, my distance from the donner-digesting dogs and angry vampires has placed me at peace with my bookish, tired self once more. 
But the hideous Centre-Point is on the horizon.  The West End looms - the epicentre for blundering, arm-waving lunatics in vain search for more beer to sing them to sleep.  They swarm and swirl the urine-soaked, pizza-entrenched highstreets there - scowls illuminated by the lights of a hundred theatres and roars echoed among the warning bells of hurtling rickshaws and screeching taxis.  I elect not to walk through Russell Square - having narrowly avoided an unpleasant confrontation with "Angry Man With Stella Can" there only a couple of nights before.  I pass around it and through Montague Place beside the imposing collumns of the British Museum and, after a swift stride through the regality of Bloomsbury I am in Soho.  I duck and swerve and avoide the maniacal glowers of the vampire hordes and with haste I am at my door.  The throbbing, seeping, groaning end of Saturday Night is behind me out in the cold and I hobble up the twisting staircase to my room where a warm bed and a new morning await me.


Sunday 12 October 2014

Love

Love incapacitates.  Love Love Love Love.  Love renders me inert and vegetative and functionless and all I am left with is the ability to think and overthink and over-overthink and twiddle my beard and stare and huff and though I can formulate space and sounds and sights all that pulses through my neural passages is Love.  And all that passes through my veins and makes them flourish and slurp and bulge from my limp arms is Love.  Love brings my abilities down to the grotty curb then thumps my guts with a second wind and heightens all senses and consciousness.  Love makes me a superhero without an origin story.  Love has me running faster, playing faster, talking louder, thinking further and crying harder.  Love is a superpower!  Love brings me to the edge of the noose and Love makes me bat it aside and run away to my life which Love reminds me is precious.  Love tells me I Am Alive!  What a glorious reassurance!  It matters not that Love is unrequited because Love is a superfood and all of its variants are irrelevant because it is above all else Love!  Love makes me know myself.  Love shows me I am limitless in what I can do.  Love is sprawled on brown pages by dead dusty poets through the ages but not a second has passed between their pen and my eyes because I know what they are saying and it is Love and they are saying it to me RIGHT NOW, RIGHT THIS VERY SECOND.  Love can time travel!  Love can kill with a blink and turn people into Deities with one flick of a finger.  Love is God!  Love can make me fly and in a nanosecond ground me forever more.  Love rules!  Love is the emperor of the body!  Love is an immovable object not weathered by time or tide and gazing over the planets as the centuries flit by like seconds on a stopwatch to its heedless, eternal perspective.  Love is an elemental force that lingers on the air and refines and contracts and enters into a human and makes her a Goddess.  Love guffaws at my claim to atheism and catches me out on my knees, worshipping.  Love is a vendor of Tough Love, another sound nutrient as long as it is Love.  Love makes me better by hurting me.  Love makes me stronger by killing me.  Love is all and Love urges I live and never forget to Love.  Love is all-consuming and there is nothing else but Love is everything so I have everything.

Wednesday 1 October 2014

Children's Hospice: Out Now.

So there we have it.  I have closed the book (I'm so sorry) on what has turned out to be a rather tumultuous, mentally ravaging few months of my creative life.  CHILDREN'S HOSPICE - the Christmas/Halloween novella I started in June as a precursor to an Edinburgh show I plan to ignite next year, is now for sale on Amazon and Amazon kindle.  The book that woke me in a cold sweat at 4am, that screeched at me from the corner of my bedroom to be finished, that imbued my nightmares with terrible little footsteps and infantile giggles, that poked and prodded me as I rolled over in sweaty terror and that which may have thudded my writing style off course permanently is now out there.  I am terrified.
CHILDREN'S HOSPICE is a black comedy domestic fantasy drama told in experimental, surrealist prose from a number of different perspectives which leap from one another organically.  It begins on an idyllic Christmas morning as a mother and father play with their newborn baby and his puppy and it ends - well, it ends somewhere none of us have ever been and none of us ever want to go.  It was born from both a recurring nightmare and the act of me trying to embody my long term relationship which died at Christmas and began to rot and fester throughout January.  It is a cautionary tale of victim-blaming and the evil that men do, and it is a modern day nativity story laced with domestic violence, cot-death and a smidgen of cannibalism.
At 100 pages, CHILDREN'S HOSPICE has something to say at every turn - the premise and form are too overwhelming for a full length novel, but equally would have felt stuffed up and rushed in a slighter short story.  It is a novella, a sub-format of fiction that I have always been enamoured with (if it's good enough for Camus and Fitzgerald...).  I hope it makes you laugh as much as it startles you, I hope you find purpose in the graphic sequences for none of them are present merely to shock and disgust.  I won't be offended if you choose not to read it, just as I won't be offended if you borrow or steal it.  It's not there to make me rich - all royalties earned from the book will be donated to the Children's Hospice South West Charity anyway (Far be it from me to grow fat from the depiction of institutions developed to help sick kids).
So have a gander - it's only 77p on Kindle or £4 if you like having something to keep on your shelf.  Share the news, enjoy it as a Halloween ghost story or wait a while for December and read it as a festive parable (Like A Nightmare Before Christmas, it's just as relevant during both seasons) and remember that while I write foremost for myself, everything I do is in part for you - my friends and relatives who have directly and indirectly sculpted me throughout my 27 years into the person I am today, whoever the heck that is.  It's October the 1st.  Summer is over.  A darkness is crawling up from the rocks and ready to descend upon England.  Does this upset you?  CHILDREN'S HOSPICE is the story for you.

 
CHILDREN'S HOSPICE: THE MUSICAL is coming August 2015.